IMWAYR -- July 15

On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. 

With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

When Frankie’s mother died and her father left her and her siblings at an orphanage in Chicago, it was supposed to be only temporary—just long enough for him to get back on his feet and be able to provide for them once again. That’s why Frankie's not prepared for the day that he arrives for his weekend visit with a new woman on his arm and out-of-state train tickets in his pocket.

Now Frankie and her sister, Toni, are abandoned alongside so many other orphans—two young, unwanted women doing everything they can to survive.

And as the embers of the Great Depression are kindled into the fires of World War II, and the shadows of injustice, poverty, and death walk the streets in broad daylight, it will be up to Frankie to find something worth holding on to in the ruins of this shattered America—every minute of every day spent wondering if the life she's able to carve out will be enough.

I will admit I do not know the answer. But I will be watching, waiting to find out.

That’s what ghosts do.

Wherever the sharks led, Lucy Everhart's marine-biologist mother was sure to follow. In fact, she was on a boat far off the coast of Massachusetts, collecting shark data when she died suddenly. Lucy was seven. Since then Lucy and her father have kept their heads above water--thanks in large part to a few close friends and neighbors. But June of her twelfth summer brings more than the end of school and a heat wave to sleepy Rockport. On one steamy day, the tide brings a great white--and then another tragedy, cutting short a friendship everyone insists was "meaningful" but no one can tell Lucy what it all meant. To survive the fresh wave of grief, Lucy must grab the line that connects her depressed father, a stubborn fisherman, and a curious old widower to her mother's unfinished research on the Great White's return to Cape Cod. If Lucy can find a way to help this unlikely quartet follow the sharks her mother loved, she'll finally be able to look beyond what she's lost and toward what's left to be discovered.

★"Confidently voiced."—Kirkus Reviews, starred
★"Richly layered."—Publishers Weekly, starred
★"A hopeful path forward."—Booklist, starred 
★"Life-affirming."—BCCB, starred
★"Big-hearted." —Bookpage, starred
★“Will appeal to just about everyone.” – SLC, starred
★"Exquisitely, beautifully real."—Shelf Awareness, starred




In book three of the popular Jumbies series, Corinne must use her emerging supernatural powers to battle the angry god who would destroy her Caribbean island home.

When an out-of-season hurricane sweeps through Corinne’s seaside village, Corinne knows it’s not a typical storm. At first Corinne believes Mama D’Leau—the powerful and cruel jumbie who rules the ocean—has caused the hurricane. Then a second, even more ferocious storm wrecks the island, sending villagers fleeing their houses for shelter in the mountains, and Corinne discovers the storms weren’t caused by a jumbie, but by the angry god Huracan.

Now Corinne, with the help of her friends and even some of her enemies, must race against time to find out what has angered Huracan and try to fix it before her island home is destroyed forever.

NYT Bestselling series! Harlem’s favorite family returns in the third installment in the Vanderbeerkers series, wherein the Vanderbeeker kids find themselves racing to save their mother’s baking business from city closure. Illustrated with delightful black and white illustrations.

For the Vanderbeeker kids of Harlem’s 141st Street, spring break couldn’t be off to a better start. Isa’s back from band camp, Oliver’s building his first-ever treehouse in the backyard of the brownstone, and Laney, Jess, and Hyacinth are excited to help their mother when she gets the once-in-a-lifetime chance to star in a cooking magazine.

But the Vanderbeekers’ plans go off the rails when an unexpected visit from city officials puts their mother’s bakery in jeopardy. Now they’ll have to band together to save the day before they’re out of business. Perfect for fans of The Penderwicks and Front Desk.




This deeply sensitive and powerful debut novel tells the story of a thirteen-year-old who must overcome internalized racism and a verbally abusive family to finally learn to love herself.

There are ninety-six things Genesis hates about herself. She knows the exact number because she keeps a list. Like #95: Because her skin is so dark, people call her charcoal and eggplant—even her own family. And #61: Because her family is always being put out of their house, belongings laid out on the sidewalk for the world to see. When your dad is a gambling addict and loses the rent money every month, eviction is a regular occurrence.

What’s not so regular is that this time they all don’t have a place to crash, so Genesis and her mom have to stay with her grandma. It’s not that Genesis doesn’t like her grandma, but she and Mom always fight—Grandma haranguing Mom to leave Dad, that she should have gone back to school, that if she’d married a lighter skinned man none of this would be happening, and on and on and on. But things aren’t all bad. Genesis actually likes her new school; she’s made a couple friends, her choir teacher says she has real talent, and she even encourages Genesis to join the talent show.

But how can Genesis believe anything her teacher says when her dad tells her the exact opposite? How can she stand up in front of all those people with her dark, dark skin knowing even her own family thinks lesser of her because of it? Why, why, why won’t the lemon or yogurt or fancy creams lighten her skin like they’re supposed to? And when Genesis reaches #100 on the list of things she hates about herself, will she continue on, or can she find the strength to begin again?

*All images are clickable affliate links to Amazon - today during Prime Day you can use code PRIMEBOOKS15 for $5 off $15! :)